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The Times Interface: `The free tenors`
Classical music hardly figures at all. But Placido Domingo is out to change all that. The singer, one third of the Three Tenors, is joining the board of, the website that offers live performances of classical music, opera and jazz.

Earlier this year, Global Music Network netcast its most ambitious performance yet, the first live video of an opera from the Mariinsky Theatre, home of the Kirov in St Petersburg.

For Mike Lubin, the chairman and founder of GMN, the project combines two passions: computing and music. `It`s not just a question of putting music on the net. The whole point is to make use of the unique qualities that the internet offers to produce a rich multimedia experience.

`The net opens up the possibility of video, of links to biographies and histories and of bringing together extraordinary combinations of artists and programmes.

`This is more than just a music site, says Lubin, `we want to be a portal for performing arts on the web.`

That means that the site also offers users the chance to buy music, either by downloading or from a catalogue or by compiling personal choice CDs drawn from existing records or exclusive recordings held in GMN`s online archive.

Domingo says the link will help him to offer young musicians an opportunity for global exposure and to create innovative programmes and content.

As well as joining the board, Domingo also joins GMN`s `family of artists` which includes the conductors David Atherton and Charles Mackerras, pianist Peter Donohoe, violinist Tasmin Little, soprano Amanda Roocroft and Peter Maxwell Davies, the conductor and composer. It extends to orchestras, festivals and venues including the Kirov, the Hong Kong Philharmonic, the London Sinfonietta and the Orchestra of the Age of Enlightenment; the Cheltenham Festival, and London`s Wigmore Hall.

Atherton and Donohoe helped found GMN last year. Their reasons for exploring the net as a means of creativity reflect very much the same concerns as those pop musicians who have turned to cyberspace. Fewer artists were being offered exclusive contracts with record companies and earnings generally were falling just as customers were becoming dissatisfied with the limited offers of record stores. The addition of jazz to the site came later with the signing of Dr Billy Taylor, largely at the request of users.

In 18 months the site, that has just had a $12 million injection of venture capital, has built up a database of live performances that includes more than 200 hours of music and 50 hours of video. It has formed relationships with Intel, Liquid Audio, Microsoft, Real Networks and several others to ensure it can use the latest technologies to deliver music and video to users. It has even signed a pioneering agreement with the Musicians` Union in Britain to protect the artists` interests in internet-streaming and downloading.


More Press

Global Music Network (, offers, daily, the unique opportunity to experience the finest performances by leading musicians from around the globe, webcast exclusively on Read More
Thu May 25 2000

Time Magazine: Online music - Tune in to
Opera star Plácido Domingo wil announce this week in New York that he wil releae new music over the Net for Global Music Network (, a Web portal specializing in classical music, opera and jazz. Domingo will become a member of GMN`s board of di Read More
Mon Oct 4 1999

The Daily Telegraph: Domingo steps into cyberspace
Placido Domingo thinks the future of music lies with the Internet. Norman Lebrecht reports Read More
Wed Sep 29 1999

Classic FM (monthly) - Music à la modem
The way we buy music could be about to change dramatically thanks to the Internet. Stephen Pettitt looks at two new ‘MP3’ technology offers us music by phone – and for free Read More
Wed Sep 15 1999

Hong Kong Standard: `Classic Sounds`
Hong Kong Philharmonic maestro David Atherton told me in an interview recently that the big difference between computers and music was that computers were not infinite, while music is. Read More
Sat Jun 26 1999 presents first ever live opera production on the World Wide Web partners with INTERVU, Microsoft, and Real Networks to produce and distribute seven performances live from Kirov Opera Read More
Tue Jun 22 1999

San Diego Union Tribune: Magic mix: classical music and the Internet
What do you get when you cross a classical music conductor with a high-tech entrepreneur? A classic Internet business where centuries old music meets today`s technology. Read More
Wed Apr 21 1999

LONDON, April 15, 1999 — Global Music Network (, the most-recognized destination for classical music on the World Wide Web, announced today that it has secured prominent position within Microsoft’s Web Events site.
The easy way to experience classical music on the net Read More
Thu Apr 15 1999

Classical Music (monthly): `Global Warming'
Despite the wonders of the Internet, the question of protecting musicians’ rights has always been a thorny one. But now, thanks to a deal struck up with the MU, Global Music Network is set to go online. Roger Watkins reports: Read More
Sat Sep 12 1998

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