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The New York Times: Internet Becomes Concert Hall
For Classical Music Lovers, the Internet Becomes a Concert Hall

Many people, including music lovers, shy away from live classical music for all kinds of reasons - distance from the recital hall, objections to dressing up, apprehension in the face of an entire Mahler symphony.

The Web, however, offers a few barrier- dissolving advantages for the closet classical music fan. Global Music Network ( and Online Classics ( are the most comprehensive classical-music concert venues online. The two sites, British counterpoints to the legal nightmare called Napster, present artist- and corporation-sponsored Webcasts free.

There are other sites, like www and www.centerseat .com, that have some classical music offerings.

But the nuts and bolts of Global Music Network make it revolutionary. Its offerings are evenly split between classical and jazz. It also carves its concerts into separate audio files; users register via e-mail for access to hyperlinks to each movement of each musical piece.

Users select concerts, whenever they choose, from a substantive menu. They then listen to them in any number of formats, including RealPlayer, Windows Media Player and QuickTime, in whatever order they see fit.

Global Music Network's premise is simple: the station gets the Webcast rights for concerts that have already occurred at some of the world's best-known locations, then offers the concerts online for a week or so. It offers high-quality, streaming recordings that cannot be stored on the listener's computer, but the performance lives longer than it would have on conventional radio.

Other features on Global Music Network include biographical and historical articles, links, free audio clips for downloading, interactive forums and a selection of recordings for sale.

The artists found on Global Music Network include the veteran cellist Lynn Harrell and the fiery Russian maestro Valery Gergiev. And of most consequence for a music site, the sound streams with seamless fidelity, in spite of the Net congestion that seems to plague a good deal of streaming audio.

Online Classics is similar to Global Music Network, but it focuses on classical music, ballet, Broadway musicals and dramatic theater.

The problem with Online Classics' more sophisticated experience is that it doesn't offer's sound quality because of its many facets. Audio and video together require a substantial amount of bandwidth, which can sometimes cause that sort of "concert experience" not to buffer very smoothly.

That high-profile artists like Yo-Yo Ma and the mezzo-soprano Anne Sofie von Otter (on Global Music Network and Online Classics, respectively) participate in this new form of concert is significant. It suggests a performer's interest in obtaining wider, more enduring exposure within the classical music field as well as reaching those not able to attend the Théâtre du Châtelet in Paris or the London Proms.

With continued interest from remote-music lovers, the Web might even contribute to the survival of classical music. The proliferation of sites like these presents the chance to draw people into a larger classical music community, doing for music what the Internet has already done for commerce.

Classical music in cyberspace is affordable and accessible, and requires no more effort than television. One can only wonder what Beethoven, a deaf man whose greatest personal struggle was communicating, might think about an audience knocking on the doors of his world through a broadband connection.

Adam Baer
Copyright 2000 The New York Times Company

More Press

Global Music Network (, offers, daily, the unique opportunity to experience the finest performances by leading musicians from around the globe, webcast exclusively on Read More
Thu May 25 2000

Time Magazine: Online music - Tune in to
Opera star Plácido Domingo wil announce this week in New York that he wil releae new music over the Net for Global Music Network (, a Web portal specializing in classical music, opera and jazz. Domingo will become a member of GMN`s board of di Read More
Mon Oct 4 1999

The Daily Telegraph: Domingo steps into cyberspace
Placido Domingo thinks the future of music lies with the Internet. Norman Lebrecht reports Read More
Wed Sep 29 1999

Classic FM (monthly) - Music à la modem
The way we buy music could be about to change dramatically thanks to the Internet. Stephen Pettitt looks at two new ‘MP3’ technology offers us music by phone – and for free Read More
Wed Sep 15 1999

Hong Kong Standard: `Classic Sounds`
Hong Kong Philharmonic maestro David Atherton told me in an interview recently that the big difference between computers and music was that computers were not infinite, while music is. Read More
Sat Jun 26 1999 presents first ever live opera production on the World Wide Web partners with INTERVU, Microsoft, and Real Networks to produce and distribute seven performances live from Kirov Opera Read More
Tue Jun 22 1999

San Diego Union Tribune: Magic mix: classical music and the Internet
What do you get when you cross a classical music conductor with a high-tech entrepreneur? A classic Internet business where centuries old music meets today`s technology. Read More
Wed Apr 21 1999

LONDON, April 15, 1999 — Global Music Network (, the most-recognized destination for classical music on the World Wide Web, announced today that it has secured prominent position within Microsoft’s Web Events site.
The easy way to experience classical music on the net Read More
Thu Apr 15 1999

Classical Music (monthly): `Global Warming'
Despite the wonders of the Internet, the question of protecting musicians’ rights has always been a thorny one. But now, thanks to a deal struck up with the MU, Global Music Network is set to go online. Roger Watkins reports: Read More
Sat Sep 12 1998

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